Rationale
ImagineFX is a magazine that centers around digital art with sci-fi and fantasy themes. A lot of its content is geared towards people who are interested in creating digital art under those categories, and because that content can be more effective in a digital medium, it is spread across both their print publications and on their website.
It is because of this that it tends to be different to magazines that are purely graphic design. Thus, the direction that I took in developing the website was different than how I would have developed it had it been a graphic design magazine.
In my competitor analysis, I identified some key points that would be crucial to the new website:
- Take into consideration the user’s navigation experience
- Take into consideration how the user will consume the content
- Strict visual hierarchy is needed to help guide users
- A strict grid system would make content easy to organise
- More images of digital art would allow the website to stay true to the magazine
- Take into consideration the importance and number of messages displayed above the fold on any one page
- Consider whether some advertisements are needed or are distracting from the content
I believe I have answered each of these points. The navigation bar is in clear view on every page. Additionally, the area of the website the user is in is highlighted at all times to simplify the navigation process for users, or to give users who arrive at the website at a random page (i.e. not the homepage first) an idea of where they are.
I identified that when people visit the ImagineFX website, they would most probably be a) searching for digital art related content, or more specifically, b) following a call-to-action from the print magazine. In whichever case, the sections of the website of primary interest would be the gallery (showcasing outstanding user works), workshops (i.e. tutorials) and reviews (of digital art related software, hardware, etc.). This is the reasoning behind having these three categories as modules on the home page, underneath the primary feature but still visible above the fold, even on a low screen resolution.
The primary colour of purple is highlighted with yellow. This is evident in the navigation, and also throughout the site where clickable links appear yellow as well. It serves as an obvious indicator of more information or something worth noticing.
I have used a rainbow, digitally generated pattern for the background image in the header to create some level of interest in the design itself. Balancing this is a brushed metal texture for the footer. These two background images are repeated along the x-axis and as such ground the site within the browser window, no matter how small or large the user’s screen resolution may be.
Although I have used quite a few images for the design of the site (i.e. images only serving as a function of the site design), the loading time is great. In total (including all user submitted images), the 5 pages of the mini-site add up to less than 1MB.
Finally, I have also toned down on the amount of advertising displayed per page. I found that the sheer amount of advertising (and also its placement) on the original website was too distracting from the content, and because of the unimaginative way in which it was merged amongst the site’s content, it made the website look cheap and dated.
On the home page in my mini-site, there is only one long banner ad (at the bottom, above the footer). The homepage is, more likely than not, the landing page for most users, and I believe the website should respect its users in supplying a clean, up-to-date and organised homepage that acts as a portal to the other parts of the website.
On every other page, I have added an additional ad space (in the right-hand side column), outside of the content boxes so as to avoid confusion for the user. I think it is acceptable to include ads in the side columns here, as they are separated from the primary content and there is also free space there for the ads to sit in. They are not unnecessarily cramping the main content.
Overall, I did not change ImagineFX’s original site structure too much. I stayed true to it (I also believe that the structure makes sense, seeing as they have a lot of constantly changing content to communicate), but added a possibility of a back issues page from the homepage for people who might be interested in browsing those. The original ImagineFX website links to an external website to begin with when people click on “subscribe”, so the back issues may also be ordered from that external site, but I agreed it would be a nice option to have when it was brought up during user testing to have the back issues viewable on the ImagineFX site itself.
Access the mini-site here: http://www.susannepeng.com/webmedia/
The viewable pages within the mini-site are:
- Homepage
- Gallery
- Gallery (single piece view): this page can be accessed by clicking the Featured Artist image in the main gallery page
- Workshops
- Reviews
My final ImagineFX mini-site is informed by my initial competitor research, and also critiques received from my tutor and peers. For the reasons discussed above, I believe it would be a great solution should ImagineFX magazine be inclined towards renewing their site design.

























